Martin Bonnard

Membres associés

Membre associé

Postdoctorant au département d’histoire de l’art et d’études en communication de l’Université McGill et membre du Laboratoire de recherche sur les pratiques audiovisuelles documentaires (labdoc) de l’Université du Québec à Montréal, Martin Bonnard est spécialiste de la diffusion en ligne du cinéma. Il a déposé sa thèse de doctorat en communication (UQAM) dans laquelle il traite de l’actualisation de l’expérience cinéma par les catalogues cinéphiles de vidéo par abonnement. Ses recherches portent notamment sur la matérialité du visionnement en ligne dans une approche historique liant les études cinématographiques et médiatiques.

Il a développé une pratique de conception et de mise en ligne de webdocumentaires de recherche, notamment en participant aux projets : Up the High Line. New York sous le regard du cinéma (2014) et plus récemment Sur les soins (2020). Il collabore aujourd’hui à la conception web et à la mise en ligne d’un webdocumentaire intitulé Les infirmières de la folie (2021).

4601712 Martin Bonnard 1 universite-du-quebec-a-montreal-etudes-litteraires-et-semiologie 5 date desc 890 https://crialt-intermedialite.org/wp-content/plugins/zotpress/
%7B%22status%22%3A%22success%22%2C%22updateneeded%22%3Afalse%2C%22instance%22%3Afalse%2C%22meta%22%3A%7B%22request_last%22%3A0%2C%22request_next%22%3A0%2C%22used_cache%22%3Atrue%7D%2C%22data%22%3A%5B%7B%22key%22%3A%22E7GTZEJW%22%2C%22library%22%3A%7B%22id%22%3A4601712%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Bonnard%22%2C%22parsedDate%22%3A%222022-03-17%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBonnard%2C%20Martin%2C%20%26%23xAB%3B%26%23xA0%3BLe%26%23xA0%3Bkabaret%20kino%26%23xA0%3Bcomme%20lieu%20de%20r%26%23xE9%3Bappropriation%20de%20la%20production%20cin%26%23xE9%3Bmatographique%26%23xA0%3B%26%23xBB%3B%2C%20dans%20Beno%26%23xEE%3Bt%20Turquety%20et%20Caroline%20Zeau%20%28dir.%29%2C%20%26lt%3Bi%26gt%3BLe%20%26%23xAB%3B%26%23xA0%3Bdirect%26%23xA0%3B%26%23xBB%3B%20et%20le%20num%26%23xE9%3Brique%3A%20Techniques%20et%20politiques%20des%20m%26%23xE9%3Bdias%20d%26%23xE9%3Bcentralis%26%23xE9%3Bs%26lt%3B%5C%2Fi%26gt%3B%2C%20Milan%2C%20Mim%26%23xE9%3Bsis%2C%202022%2C%20p.%26%23xA0%3B247%26%23x2011%3B262.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Le%5Cu00a0kabaret%20kino%5Cu00a0comme%20lieu%20de%20r%5Cu00e9appropriation%20de%20la%20production%20cin%5Cu00e9matographique%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Beno%5Cu00eet%22%2C%22lastName%22%3A%22Turquety%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Caroline%22%2C%22lastName%22%3A%22Zeau%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Martin%22%2C%22lastName%22%3A%22Bonnard%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22bookTitle%22%3A%22Le%20%5C%22direct%5C%22%20et%20le%20num%5Cu00e9rique%3A%20Techniques%20et%20politiques%20des%20m%5Cu00e9dias%20d%5Cu00e9centralis%5Cu00e9s%22%2C%22date%22%3A%222022-03-17%22%2C%22language%22%3A%22Fran%5Cu00e7ais%22%2C%22ISBN%22%3A%22978-88-6976-325-0%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22BS9JR8NZ%22%5D%2C%22dateModified%22%3A%222022-06-11T17%3A33%3A34Z%22%7D%7D%2C%7B%22key%22%3A%22ZDWM72QR%22%2C%22library%22%3A%7B%22id%22%3A4601712%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Lomazzi%20et%20al.%22%2C%22parsedDate%22%3A%222020-09%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BLomazzi%2C%20Lisiane%2C%20Jo%26%23xEB%3Blle%20G%26%23xE9%3Blinas%20et%20Martin%20Bonnard%2C%20%26%23xAB%3B%26%23xA0%3BLa%20collection%20algorithmique%20de%20fragments%20photographiques%20comme%20technologie%20m%26%23xE9%3Bmorielle%26%23xA0%3B%26%23xBB%3B%2C%20%26lt%3Bi%26gt%3BL%26%23x2019%3Bagir%20en%20condition%20hyperconnect%26%23xE9%3Be%26%23x202F%3B%3A%20art%20et%20images%20%26%23xE0%3B%20l%26%23x2019%3B%26%23x153%3Buvre%26lt%3B%5C%2Fi%26gt%3B%2C%20Les%20Ateliers%20de%20%5Bsens%20public%5D%2C%202020%2C%20en%20ligne%2C%20%26lt%3Bhttps%3A%5C%2F%5C%2Fwww.parcoursnumeriques-pum.ca%5C%2F11-agir%5C%2F%26%23x200B%3Bhttps%3A%5C%2F%5C%2Fwww.parcoursnumeriques-pum.ca%5C%2F11-agir%5C%2Fchapitre5.html%26gt%3B%2C%20consult%26%23xE9%3B%20le%2014%20juin%202022.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22La%20collection%20algorithmique%20de%20fragments%20photographiques%20comme%20technologie%20m%5Cu00e9morielle%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Lisiane%22%2C%22lastName%22%3A%22Lomazzi%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jo%5Cu00eblle%22%2C%22lastName%22%3A%22G%5Cu00e9linas%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Martin%22%2C%22lastName%22%3A%22Bonnard%22%7D%5D%2C%22abstractNote%22%3A%22La%20derni%5Cu00e8re%20d%5Cu00e9cennie%20est%20marqu%5Cu00e9e%20par%20la%20multiplication%20et%20l%5Cu2019intrication%20des%20modes%20et%20des%20zones%20de%20connexion%20%3B%20avec%20les%20villes%20et%20les%20t%5Cu00e9l%5Cu00e9phones%20intelligents%2C%20les%20collectes%20de%20donn%5Cu00e9es%20massives%20ou%20la%20connexion%20internet%20ambiante%2C%20une%20grande%20part%20de%20l%5Cu2019humanit%5Cu00e9%20se%20trouve%20interreli%5Cu00e9e%20de%20%28presque%29%20toutes%20parts.%20On%20qualifie%20ici%20cet%20%5Cu00e9tat%20contemporain%20dans%20lequel%20s%5Cu2019hybrident%20les%20espaces%20en%20ligne%20et%20hors%20ligne%20de%20condition%20hyperconnect%5Cu00e9e.%20%5Cu00c0%20partir%20du%20moment%20o%5Cu00f9%20cette%20hyperconnectivit%5Cu00e9%20est%20%5Cu00e9tablie%20en%20mode%20d%5Cu2019existence%2C%20que%20peut-on%20faire%20et%20que%20fait-on%20%3F%20Et%20comment%20penser%20au-del%5Cu00e0%20de%20ce%20ph%5Cu00e9nom%5Cu00e8ne%20%3F%20Cet%20ouvrage%20rassemble%20diff%5Cu00e9rentes%20perspectives%20sur%20l%5Cu2019%5Cu00e9tude%20de%20l%5Cu2019art%20et%20des%20images%20afin%20de%20mieux%20cerner%20les%20%28im%29possibles%20de%20cette%20condition%20par%20le%20truchement%20d%5Cu2019un%20examen%20critique%20des%20mat%5Cu00e9rialit%5Cu00e9s%20et%20des%20repr%5Cu00e9sentations%20produites%20en%20son%20sein.%20Les%20dispositifs%20num%5Cu00e9riques%20int%5Cu00e9gr%5Cu00e9s%20%5Cu00e0%20nos%20quotidiens%2C%20les%20machines%20autonomes%2C%20les%20corps%20et%20les%20regards%20sont%20actifs.%20Ils%20organisent%2C%20d%5Cu00e9sirent%20et%20exacerbent%20des%20affects%20et%20des%20politiques%20%5Cu2013%20autant%20d%5Cu2019actions%20qui%20expriment%20les%20modalit%5Cu00e9s%20de%20coexistence%20en%20condition%20hyperconnect%5Cu00e9e.%22%2C%22bookTitle%22%3A%22L%5Cu2019agir%20en%20condition%20hyperconnect%5Cu00e9e%20%3A%20art%20et%20images%20%5Cu00e0%20l%5Cu2019%5Cu0153uvre%22%2C%22date%22%3A%222020-09%22%2C%22language%22%3A%22fr%22%2C%22ISBN%22%3A%22978-2-7606-4286-7%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.parcoursnumeriques-pum.ca%5C%2F11-agir%5C%2F%5Cu200bhttps%3A%5C%2F%5C%2Fwww.parcoursnumeriques-pum.ca%5C%2F11-agir%5C%2Fchapitre5.html%22%2C%22collections%22%3A%5B%22BS9JR8NZ%22%5D%2C%22dateModified%22%3A%222022-06-14T14%3A40%3A44Z%22%7D%7D%2C%7B%22key%22%3A%22SLW43RB7%22%2C%22library%22%3A%7B%22id%22%3A4601712%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Bonnard%22%2C%22parsedDate%22%3A%222020%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBonnard%2C%20Martin%2C%20%26%23xAB%3B%26%23xA0%3BUn%20incontournable%20navet%26%23xA0%3B%3A%20l%26%23x2019%3Bexploitation%20du%26%23xA0%3Bnobrow%26%23xA0%3Bcin%26%23xE9%3Bphilique%20sur%20les%20plateformes%20de%20vid%26%23xE9%3Bo%20par%20abonnement%26%23xA0%3B%26%23xBB%3B%2C%20%26lt%3Bi%26gt%3B%26%23xC9%3Bcranosph%26%23xE8%3Bre%26lt%3B%5C%2Fi%26gt%3B%2C%20n%26lt%3Bsup%26gt%3Bo%26lt%3B%5C%2Fsup%26gt%3B%201%2C%20%26%23xAB%3B%26%23xA0%3BMutations%20m%26%23xE9%3Bdiatiques%26%23xA0%3B%26%23xBB%3B%2C%202020%2C%20p.%26%23xA0%3B54%26%23x2011%3B68.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Un%20incontournable%20navet%5Cu00a0%3A%20l%5Cu2019exploitation%20du%5Cu00a0nobrow%5Cu00a0cin%5Cu00e9philique%20sur%20les%20plateformes%20de%20vid%5Cu00e9o%20par%20abonnement%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Martin%22%2C%22lastName%22%3A%22Bonnard%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222020%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22BS9JR8NZ%22%5D%2C%22dateModified%22%3A%222022-06-14T14%3A35%3A04Z%22%7D%7D%2C%7B%22key%22%3A%22JLN4T3V6%22%2C%22library%22%3A%7B%22id%22%3A4601712%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Bonnard%22%2C%22parsedDate%22%3A%222018%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBonnard%2C%20Martin%2C%20%26%23xAB%3B%26%23xA0%3B%28Re%29monter%20le%20cin%26%23xE9%3Bma%20sur%20le%20web%26%23xA0%3B%26%23xBB%3B%2C%20%26lt%3Bi%26gt%3BCin%26%23xE9%3Bmas%26lt%3B%5C%2Fi%26gt%3B%2C%20vol.%2028%2C%20n%26lt%3Bsup%26gt%3Bo%26lt%3B%5C%2Fsup%26gt%3B%202%26%23x2011%3B3%2C%20%26%23xAB%3B%26%23xA0%3BMutations%20du%20montage%26%23xA0%3B%26%23xBB%3B%2C%202018%2C%20p.%26%23xA0%3B93%26%23x2011%3B109%2C%20en%20ligne%2C%20%26lt%3B%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.erudit.org%5C%2Ffr%5C%2Frevues%5C%2Fcine%5C%2F2001-v11-n2-3-cine05122%5C%2F1067495ar%5C%2F%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.erudit.org%5C%2Ffr%5C%2Frevues%5C%2Fcine%5C%2F2001-v11-n2-3-cine05122%5C%2F1067495ar%5C%2F%26lt%3B%5C%2Fa%26gt%3B%26gt%3B%2C%20consult%26%23xE9%3B%20le%2014%20juin%202022.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22%28Re%29monter%20le%20cin%5Cu00e9ma%20sur%20le%20web%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Martin%22%2C%22lastName%22%3A%22Bonnard%22%7D%5D%2C%22abstractNote%22%3A%22Une%20id%5Cu00e9e%20de%20montage%20%5Cu00e9nonc%5Cu00e9e%20et%20exp%5Cu00e9riment%5Cu00e9e%20%5Cu00e0%20la%20fin%20des%20ann%5Cu00e9es%20soixante%20par%20Sylvie%20Pierre%2C%20Jean%20Narboni%20et%20Jacques%20Rivette%20permet%20d%5Cu2019%5Cu00e9clairer%20sous%20un%20nouveau%20jour%20les%20assemblages%20du%20num%5Cu00e9rique%2C%20et%20en%20particulier%20ceux%20entourant%20les%20films%20des%20catalogues%20de%20vid%5Cu00e9o%20par%20abonnement.%20Cette%20id%5Cu00e9e%20vise%20l%5Cu2019%5Cu00e9tude%20du%20montage%20des%20films%20sur%20deux%20niveaux%5Cu00a0%3A%20celui%20de%20la%20juxtaposition%20des%20plans%20et%20celui%20de%20la%20combinaison%20exploratoire%20des%20films%20entre%20eux.%20Inspir%5Cu00e9%20par%20cette%20perspective%2C%20%5Cu00e0%20la%20fois%20ouverte%20sur%20le%20contexte%20de%20circulation%20des%20films%20et%20sur%20les%20principes%20guidant%20le%20montage%20de%20chacun%20d%5Cu2019eux%2C%20cet%20article%20se%20penche%20sur%20trois%20mutations%20de%20la%20diffusion%20du%20cin%5Cu00e9ma%20en%20ligne%5Cu00a0%3A%20la%20fragmentation%20des%20oeuvres%2C%20le%20r%5Cu00f4le%20de%20la%20machine%20et%20des%20algorithmes%20de%20recommandation%2C%20ainsi%20que%20la%20capacit%5Cu00e9%20d%5Cu2019interroger%2C%20par%20le%20montage%2C%20les%20nouveaux%20assemblages%20d%5Cu2019images%20en%20r%5Cu00e9seau.%22%2C%22date%22%3A%222018%22%2C%22language%22%3A%22fr%22%2C%22DOI%22%3A%2210.7202%5C%2F1067495ar%22%2C%22ISSN%22%3A%221181-6945%2C%201705-6500%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.erudit.org%5C%2Ffr%5C%2Frevues%5C%2Fcine%5C%2F2001-v11-n2-3-cine05122%5C%2F1067495ar%5C%2F%22%2C%22collections%22%3A%5B%22BS9JR8NZ%22%5D%2C%22dateModified%22%3A%222022-06-14T14%3A50%3A58Z%22%7D%7D%2C%7B%22key%22%3A%22XA59EWSR%22%2C%22library%22%3A%7B%22id%22%3A4601712%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Bonnard%22%2C%22parsedDate%22%3A%222018%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBonnard%2C%20Martin%2C%20%26%23xAB%3B%26%23xA0%3BQuand%20la%20t%26%23xE9%3Bl%26%23xE9%3Bvision%20lib%26%23xE8%3Bre%20le%20cin%26%23xE9%3Bma%26%23xA0%3B%26%23xBB%3B%2C%20%26lt%3Bi%26gt%3BUne%20t%26%23xE9%3Bl%26%23xE9%3Bvision%20allum%26%23xE9%3Be%26lt%3B%5C%2Fi%26gt%3B%2C%20Saint-Denis%2C%20Presses%20universitaires%20de%20Vincennes%2C%20coll.%20%26%23xAB%3B%26%23xA0%3BM%26%23xE9%3Bdias%26%23xA0%3B%26%23xBB%3B%2C%202018%2C%20p.%26%23xA0%3B67%26%23x2011%3B83%2C%20en%20ligne%2C%20%26lt%3B%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.cairn.info%5C%2Fune-television-allumee--9782842928131-p-67.htm%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.cairn.info%5C%2Fune-television-allumee--9782842928131-p-67.htm%26lt%3B%5C%2Fa%26gt%3B%26gt%3B%2C%20consult%26%23xE9%3B%20le%2014%20juin%202022.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Quand%20la%20t%5Cu00e9l%5Cu00e9vision%20lib%5Cu00e8re%20le%20cin%5Cu00e9ma%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Martin%22%2C%22lastName%22%3A%22Bonnard%22%7D%5D%2C%22abstractNote%22%3A%22Loin%20d%5Cu2019%5Cu00eatre%20simplement%20un%20m%5Cu00e9dia%20de%20masse%20conformiste%20et%20commercial%2C%20la%20t%5Cu00e9l%5Cu00e9vision%20a%20aussi%20propos%5Cu00e9%20diff%5Cu00e9rentes%20formes%20d%5Cu2019exp%5Cu00e9rimentation%20artistique%20%5Cu00e0%20ses%20premi%5Cu00e8res%20ann%5Cu00e9es.%5CnEn%201951%20%5Cu00e0%20leur%20cr%5Cu00e9ation%2C%20les%20%20%5Cu00ab%5Cu00a0Cahiers%20du%20Cin%5Cu00e9ma%5Cu00a0%5Cu00bb%20se%20nommaient%20plus%20exactement%20%5Cu00ab%5Cu00a0Cahiers%20du%20cin%5Cu00e9ma%20et%20du%20t%5Cu00e9l%5Cu00e9cin%5Cu00e9ma%5Cu00a0%5Cu00bb.%5CnLa%20t%5Cu00e9l%5Cu00e9vision%20a%20%5Cu00e9t%5Cu00e9%2C%20%5Cu00e0%20une%20p%5Cu00e9riode%20donn%5Cu00e9e%2C%20un%20formidable%20outil%20artistique.%20Cet%20objet%20%5Cu00ab%5Cu00a0de%20la%20masse%2C%20pour%20la%20masse%20et%20de%20masse%5Cu00a0%5Cu00bb%2C%20parfois%20d%5Cu00e9class%5Cu00e9%20car%20participant%20de%20la%20soci%5Cu00e9t%5Cu00e9%20de%20consommation%20%5Cu2013%20est%20ici%20valoris%5Cu00e9%20dans%20sa%20capacit%5Cu00e9%20d%5Cu00e9mocratique%20et%20technique%2C%20sociale%20et%20culturelle%2C%20mais%20aussi%20intellectuelle%2C%20dans%20sa%20capacit%5Cu00e9%20%5Cu00e0%20%5Cu00ab%5Cu00a0r%5Cu00e9inventer%20l%5Cu2019histoire%20des%20arts%5Cu00a0%5Cu00bb.%5CnCe%20livre%20collectif%20fait%20%20la%20%5Cu00ab%5Cu00a0pr%5Cu00e9histoire%5Cu00a0%5Cu00bb%20de%20la%20t%5Cu00e9l%5Cu00e9vision%20actuelle%20dans%20son%20rapport%20%5Cu00e0%20l%5Cu2019art%20contemporain%20et%20au%20patrimoine%20dans%20les%20diff%5Cu00e9rents%20pays%20d%5Cu2019Europe%20et%20aux%20%5Cu00c9tats-Unis.%20Cette%20%20t%5Cu00e9l%5Cu00e9vision%20proposait%20une%20p%5Cu00e9dagogie%20nouvelle%20et%20se%20montrait%20un%20instrument%20de%20r%5Cu00e9sistance%20utopique%20au%20conformisme%20social%20et%20m%5Cu00e9diatique%20est%20aujourd%5Cu2019hui%20%5Cu00e0%20d%5Cu00e9couvrir%2C%20ou%20%5Cu00e0%20r%5Cu00e9inventer%20en%20prenant%20ce%20livre%20comme%20programme%20d%5Cu2019action.%22%2C%22bookTitle%22%3A%22Une%20t%5Cu00e9l%5Cu00e9vision%20allum%5Cu00e9e%22%2C%22date%22%3A%222018%22%2C%22language%22%3A%22fr%22%2C%22ISBN%22%3A%22978-2-84292-813-1%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.cairn.info%5C%2Fune-television-allumee--9782842928131-p-67.htm%22%2C%22collections%22%3A%5B%22BS9JR8NZ%22%5D%2C%22dateModified%22%3A%222022-06-14T14%3A45%3A12Z%22%7D%7D%5D%7D
Bonnard, Martin, « Le kabaret kino comme lieu de réappropriation de la production cinématographique », dans Benoît Turquety et Caroline Zeau (dir.), Le « direct » et le numérique: Techniques et politiques des médias décentralisés, Milan, Mimésis, 2022, p. 247‑262.
Lomazzi, Lisiane, Joëlle Gélinas et Martin Bonnard, « La collection algorithmique de fragments photographiques comme technologie mémorielle », L’agir en condition hyperconnectée : art et images à l’œuvre, Les Ateliers de [sens public], 2020, en ligne, , consulté le 14 juin 2022.
Bonnard, Martin, « Un incontournable navet : l’exploitation du nobrow cinéphilique sur les plateformes de vidéo par abonnement », Écranosphère, no 1, « Mutations médiatiques », 2020, p. 54‑68.
Bonnard, Martin, « (Re)monter le cinéma sur le web », Cinémas, vol. 28, no 2‑3, « Mutations du montage », 2018, p. 93‑109, en ligne, <https://www.erudit.org/fr/revues/cine/2001-v11-n2-3-cine05122/1067495ar/>, consulté le 14 juin 2022.
Bonnard, Martin, « Quand la télévision libère le cinéma », Une télévision allumée, Saint-Denis, Presses universitaires de Vincennes, coll. « Médias », 2018, p. 67‑83, en ligne, <https://www.cairn.info/une-television-allumee--9782842928131-p-67.htm>, consulté le 14 juin 2022.